Alan Ayckbourn’s "Season’s Greetings" in the Comic - download pdf or read online

By M.A., Oliver Baum

ISBN-10: 3640301625

ISBN-13: 9783640301621

Seminar paper from the 12 months 2007 within the topic English Language and Literature stories - Literature, grade: 1, college of Marburg (Institut für Anglistik und Amerikanistik), direction: SE: "British Drama from the Nineteen Fifties to the Present", 15 entries within the bibliography, language: English, summary: This time period paper bargains with the situation of Alan Ayckbourn’s Season’s Greetings within the English comedian culture. accordingly, i'll first placed Ayckbourn’s play in the historic context of the hot drama, and in this case outline the time period “comedy”. Then, i'll turn out my thesis that Season’s Greetings fits either conventionality and innovation in regards to comedy. during this approach, i'll additionally examine in how some distance Season’s Greetings as comedy comprises either farcical and tragic components, and matches different subgenres of comedy, too. Likewise, i'm going to examine how Ayckbourn uses the comedian in Season’s Greetings, and speak about if he maintains the comedian culture with a brand new emphasis with reference to the belief that he, like Shakespeare, writes performs for the spectator instead of the reader, between different issues. within the end, i'll recap and reassess the vital theses of my time period paper and provides my very own analysis approximately Ayckbourn’s drama. My thesis concerns in to this point that “the carrying on with lifestyles that […] comedies have […] justifies our research of the style […]”. along with, English comedy has “the longest, so much non-stop primary culture in Western literature”, during which its tendency to the meta-theatrical achieves an expertise of the comedian culture onstage (cf. Leggatt 2). besides, it really is significant that severe problems with way of life are taken care of in a comic book way.

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Alan Ayckbourn’s "Season’s Greetings" in the Comic Tradition: An Investigation of Ayckbourn’s Use of the Comic in the Historical Context of the New Drama by M.A., Oliver Baum

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